Further Remarks on Manuscript P-Cug MM 3 and its Collection of Masses

Authors

DOI:

https://doi.org/10.57885/0051.rpmns.10/2.2023

Keywords:

Source studies; Authorship attribution; Presentation types; Imitation Mass in the 1570s; Santa Cruz in Coimbra.

Abstract

This article revisits manuscript P-Cug MM 3 and proposes new hypotheses concerning its production and original structure. Particular focus is placed on the collection of six Masses it contains, identifying the models for five of them. The recurring use of presentation types featuring stacked entries supports the attribution of the entire repertory to Francisco de Santa Maria, and the content authorship further reinforces

the autographic nature of the manuscript.

Author Biography

João Pedro d'Alvarenga, CESEM / Faculdade de Ciências Sociais e Humanas / Universidade NOVA de Lisboa

João Pedro d’Alvarenga is a Principal Researcher with Habilitation at the School of Social Sciences and Humanities at Nova University Lisbon. He has served as the Coordinator of the Early Music Studies Research Group and as the Executive Secretary of the Board of CESEM – Centre for Music Studies. He also co- coordinated the ‘Archives’ Thematic Line at IN2PAST – Associate Laboratory for Research and Innovation in Heritage, Arts, Sustainability, and Territory. His research has focused mainly on Aquitanian-Iberian medieval chant and its sources, keyboard music, and Iberian polyphony from around 1500 to the early decades of the eighteenth century.

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Published

2025-10-28

How to Cite

d'Alvarenga, J. P. (2025). Further Remarks on Manuscript P-Cug MM 3 and its Collection of Masses. Portuguese Journal of Musicology, 10(2), 233–250. https://doi.org/10.57885/0051.rpmns.10/2.2023

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Section

Articles (peer-reviewed)

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