Sumário
Editorial
| Nota dos Editores | i-ii |
| Editores da RPM | Resumo PDF |
Artigos (revisto por pares)
| The Oldest Russian Sticheraria from the Triodion: Some Remarks on Their Homogeneity and Diversity | 1-18 |
| Svetlana Poliakova | Resumo PDF |
| Polyphonic Church Music and Sources from Late Sixteenth-Century Évora Cathedral | 19-40 |
| João Pedro d'Alvarenga | Resumo PDF |
| The Verset and Fabordão Genres in The Context of Music Manuscript 242 from the Coimbra University Library | 41-60 |
| Filipe Mesquita de Oliveira | Resumo PDF |
| O códice polifónico de Arouca | 61-78 |
| Ana Sá Carvalho | Resumo PDF |
| Bartolomeo Bortolazzi (1772-1846): Mandolinist, Singer, and Presumed Carbonaro | 79-134 |
| Rogério Budasz | Resumo PDF |
Pré-Publicação: Musical Exchanges, 1100-1650. Iberian Connections
| Emulação e hibridismo na Península Ibérica: Antecedentes medievais | 135-150 |
| Manuel Pedro Ferreira | Resumo PDF |
| A presença de música e músicos portugueses no vice-reinado da Nova Espanha e na província de Guatemala, nos séculos XVI-XVII | 151-174 |
| Omar Morales Abril | Resumo PDF |
Recensões: Livros
| José María Domínguez Rodríguez, Roma, Nápoles, Madrid. Mecenazgo musical del Duque de Medinaceli, 1687-1710 (Kassel, Edition Reichenberger, 2013) | 175-182 |
| Cristina Fernandes | Resumo PDF |
| Luzia Rocha, Ópera e caricatura: O Teatro de São Carlos na obra de Rafael Bordalo Pinheiro, 2 vols. (Lisboa, Edições Colibri - CESEM, 2010) | 183-186 |
| João Silva | Resumo PDF |
This site is jointly supported and published by the Portuguese Society for Music Research (SPIM), the Institute of Ethnomusicology–Centre for Studies in Music and Dance (INET-MD) and the Centre for the Study of the Sociology and Aesthetics of Music (CESEM). INET-MD and CESEM are both based at the FCSH, Universidade Nova de Lisboa, Portugal, and funded by the FCT-Portuguese Foundation for Science and Technology. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.