Skip to main content Skip to main navigation menu Skip to site footer
  • Current
  • Archives
  • Announcements
  • About
    • About the Journal
    • Submissions
    • Editorial Team
    • Privacy Statement
    • Contact
Search
  • Login
  1. Home /
  2. Archives /
  3. Vol. 11 (2001)

Vol. 11 (2001)

					View Vol. 11 (2001)
Published: 2015-01-03

Articles (peer-reviewed)

  • Invoking Pedro de Escobar: The Persistence of Cananea and the Placing of Tradition

    Dawn De Rycke
    7-46
    • PDF
  • Seventeenth-Century Portuguese Polyphony: Toward a More Precise Interpretation

    Drew Edward Davies
    47-74
    • PDF
  • World Premieres at the Teatro de São Carlos During its First 50 years (1793-1843)

    David Cranmer
    75-80
    • PDF
  • Verdi the Craftsman

    Philip Gossett
    81-112
    • PDF
  • L'invenzione melodica di Verdi: Costruzione e ispirazione

    Antonio Rostagno
    113-138
    • PDF (Português)
  • “Orfeonizar a Nação”, o canto coral como instrumento educativo e político nos primeiros anos da Mocidade Portuguesa (1936-1945)

    Manuel Deniz Silva
    139-174
    • PDF (Português)
  • Para uma discografia da música portuguesa. Actualização 1999-2001

    José Bruto da Costa
    175-184
    • PDF (Português)

Reviews: Books

  • Manuel Pedro Ferreira, Porto 714, um manuscrito precioso

    Cristina Fernandes
    185-187
    • PDF (Português)
  • Rui Vieira Nery (coord.), A música no Brasil colonial

    Sérgio Dias
    188-196
    • PDF (Português)
  • Alexandre Delgado, A sinfonia em Portugal

    Francesco Esposito
    197-202
    • PDF (Português)
  • Martin G. Cunningham, Alfonso X, o Sábio. Cantigas de Loor

    Manuel Pedro Ferreira
    203-208
    • PDF (Português)
  • Abstracts

    209-212
    • PDF (Português)
  • Contributors

    213-215
    • PDF (Português)
  • Cover

    • PDF (Português)
  • Front and Back Matters

    • PDF (Português)

Language

  • English
  • Português

Developed By

Open Journal Systems


            

This site is jointly supported and published by the Portuguese Society for Music Research (SPIM), the Institute of Ethnomusicology–Centre for Studies in Music and Dance (INET-md) and the Centre for Music Studies (CESEM). INET-MD and CESEM are both based at the FCSH, Universidade NOVA de Lisboa, Portugal, and funded by the FCT – Portuguese Foundation for Science and Technology. This work is licensed under a Creative Commons Attribution-Non Commercial - No Derivatives 4.0 International License. 

More information about the publishing system, Platform and Workflow by OJS/PKP.