Vol. 2 No. 2 (2015)

• Cover Photo Credits

  • PDF (Português)

Articles (peer-reviewed)

• Morales’s Magnificats and Some Anonymous Settings in Portuguese Sources: Questions of Style and Authorship

  Bernadette Nelson

  193-214

  • PDF

  DOI: https://doi.org/10.57885/rpmns.275

• Officium cordis. O sagrado e o profano na música e na Festa da Pocariça (1950 - atualidade)

  Carla Minelli

  215-238

  • PDF (Português)

  DOI: https://doi.org/10.57885/rpmns.283

• Mistérios e maravilhas: O rock sinfónico/progressivo em Portugal na década de 1970

  Ricardo Andrade

  239-270

  • PDF (Português)

  DOI: https://doi.org/10.57885/rpmns.276

• «Podem chamar-lhe loucura, mas achamos que é cultura»: A performance do transformismo em Lisboa

  Marco Freitas

  271-294

  • PDF (Português)

  DOI: https://doi.org/10.57885/rpmns.279

• The Curatorial Practices of Exhibiting Popular Music in Portugal at the Beginning of the Twenty-First Century: An Overview

  Alcina Cortez

  295-324

  • PDF

  DOI: https://doi.org/10.57885/rpmns.278

Reviews: Books

• Miguel Ángel Marín e Màrius Bernadó (eds.), Instrumental Music in Late Eighteenth-Century Spain (Kassel, Edition Reichenberger, 2014)

  Vanda de Sá

  325-328

  • PDF (Português)

  DOI: https://doi.org/10.57885/rpmns.280

• Vanda de Sá e Cristina Fernandes (eds.), A música instrumental no final do Antigo Regime: Contextos, circulação e repertórios (Lisboa, Colibri, 2014)

  Miguel Ángel Marín

  329-336

  • PDF (Português)

  DOI: https://doi.org/10.57885/rpmns.281

Reviews: Recordings

• Ana Telles, Piano & Electronics. Sond’Ar-te Electric Ensemble Soloists (CD Miso Records, 2011) Ana Telles e Leonor Cardoso, Music for Two Pianos I e Music for Two Pianos II (CDs Numérica, 2014)

  Sofia Lourenço

  337-346

  • PDF (Português)

  DOI: https://doi.org/10.57885/rpmns.282