Sumário
| Créditos da Imagem de Capa | |
| Créditos da Imagem de Capa PDF |
Artigos (revisto por pares)
| Morales’s Magnificats and Some Anonymous Settings in Portuguese Sources: Questions of Style and Authorship | 193-214 |
| Bernadette Nelson | Resumo PDF |
| Officium cordis. O sagrado e o profano na música e na Festa da Pocariça (1950-atualidade) | 215-238 |
| Carla Minelli | Resumo PDF |
| Mistérios e maravilhas: O rock sinfónico/progressivo em Portugal na década de 1970 | 239-270 |
| Ricardo Andrade | Resumo PDF |
| «Podem chamar-lhe loucura, mas achamos que é cultura»: A performance do transformismo em Lisboa | 271-294 |
| Marco Freitas | Resumo PDF |
| The Curatorial Practices of Exhibiting Popular Music in Portugal at the Beginning of the Twenty-First Century: An Overview | 295-324 |
| Alcina Cortez | Resumo PDF |
Recensões: Livros
| Miguel Ángel Marín e Màrius Bernadó (eds.), Instrumental Music in Late Eighteenth-Century Spain (Kassel, Edition Reichenberger, 2014) | 325-328 |
| Vanda de Sá | Resumo PDF |
| Vanda de Sá e Cristina Fernandes (eds.), A música instrumental no final do Antigo Regime: Contextos, circulação e repertórios (Lisboa, Colibri, 2014) | 329-336 |
| Miguel Ángel Marín | Resumo PDF |
Recensões: Gravações
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