Vol. 2 No. 1 (2015)

View Vol. 2 No. 1 (2015)
Published: 2015-10-12

Editorial

  • Nota dos Editores

    i-ii
    DOI: https://doi.org/10.57885/rpmns.265

Articles (peer-reviewed)

  • The Oldest Russian Sticheraria from the Triodion: Some Remarks on Their Homogeneity and Diversity

    Svetlana Poliakova
    1-18
    DOI: https://doi.org/10.57885/rpmns.264

  • Polyphonic Church Music and Sources from Late Sixteenth-Century Évora Cathedral

    João Pedro d'Alvarenga
    19-40
    DOI: https://doi.org/10.57885/rpmns.261

  • The Verset and Fabordão Genres in The Context of Music Manuscript 242 from the Coimbra University Library

    Filipe Mesquita de Oliveira
    41-60
    DOI: https://doi.org/10.57885/rpmns.262

  • O códice polifónico de Arouca

    Ana Sá Carvalho
    61-78
    DOI: https://doi.org/10.57885/rpmns.260

  • Bartolomeo Bortolazzi (1772-1846): Mandolinist, Singer, and Presumed Carbonaro

    Rogério Budasz
    79-134
    DOI: https://doi.org/10.57885/rpmns.263

Pre-Publication: Musical Exchanges, 1100-1650. Iberian Connections

  • Emulação e hibridismo na Península Ibérica: Antecedentes medievais

    Manuel Pedro Ferreira
    135-150
    DOI: https://doi.org/10.57885/rpmns.256

  • A presença de música e músicos portugueses no vice-reinado da Nova Espanha e na província de Guatemala, nos séculos XVI-XVII

    Omar Morales Abril
    151-174
    DOI: https://doi.org/10.57885/rpmns.259

Reviews: Books