Sumário
| Créditos da imagem da capa | |
| Créditos da imagem da capa PDF |
Projectos de Investigação
| Performance and Context: A Research in Music Performance Platform | 251-258 |
| Ricardo Pinheiro, Carlos Caires | Resumo PDF |
Dossier Temático (revisto por pares)
| Introdução: Jazz in Iberia (Part One) | 259-272 |
| Pedro Roxo | Resumo PDF |
| Del «cingarismo» al swing: Contexto, dramaturgia y semiótica del jazz en el teatro musical de Pablo Sorozábal (1897-1988) | 273-292 |
| Mario Lerena | Resumo PDF |
| Vicente Portolés, swing mediterráneo | 293-322 |
| Daniel Martínez Babiloni | Resumo PDF |
| La recepción del jazz moderno en Barcelona en los años 1940: La aportación de Tete Montoliu | 323-350 |
| Teresa Luján | Resumo PDF |
| Música afroamericana, autenticidad y prensa escrita: La recepción del blues en España durante la década de 1950 | 351-374 |
| Josep Pedro | Resumo PDF |
| The Cuban Bolero in Spanish Jazz | 375-392 |
| Christa Bruckner-Haring | Resumo PDF |
| La relación jazz-flamenco: Una visión panorámica a través de su historia (1932-90) | 393-420 |
| Juan Zagalaz | Resumo PDF |
| De la música a la novela: El jazz en la construcción de El invierno en Lisboa de Antonio Muñoz Molina | 421-440 |
| Esther López Ojeda | Resumo PDF |
Recensões: Livros
| Florence Gétreau, Voir la musique (Paris, Citadelles & Mazenod, 2017) | 455-464 |
| Sónia Maria Duarte | Resumo PDF |
This site is jointly supported and published by the Portuguese Society for Music Research (SPIM), the Institute of Ethnomusicology–Centre for Studies in Music and Dance (INET-MD) and the Centre for the Study of the Sociology and Aesthetics of Music (CESEM). INET-MD and CESEM are both based at the FCSH, Universidade Nova de Lisboa, Portugal, and funded by the FCT-Portuguese Foundation for Science and Technology. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.