Três realizações de Jorge Croner de Vasconcellos para a cantiga de Francisco de Sá de Miranda: Comigo me desavim

Authors

  • Gil Miranda

Abstract

Jorge Croner de Vasconcelos often chose dual realizations for his songs (voice and piano, then arranged for voice and instrumental ensemble). Only in the case of ‘Comigo me desavim’ (Sá de Miranda’s text) did he leave us with three realizations - two for voice and quartet, and one for voice and piano. In order to establish their chronology and discern their compositional relationships, a consideration of what we know about JCV’s thought process, via his teachings on composition at the Conservatório Nacional, is especially rewarding.

Author Biography

Gil Miranda

GIL MIRANDA: degree and postgraduation in Law; diploma in Composition, Conservatório Nacional de Lisboa. In Paris, studied with Mlle. Nadia Boulanger. Teacher at the Faculty of Law, Lisbon, and the Academia de Música de Santa Cecília. Settled in the U. S. A., he has taught music at the Univeristy of California, Dartmouth College and Oberlin Conservatory of Music. Author of The Elvas Song Book (awarded a prize by the Conselho Português da Música); Jorge Croner de Vasconcellos - Vida e obra musical; Catálogo razoado da obra musical de J.C. de Vasconcellos.

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Published

2014-12-20

How to Cite

Miranda, G. (2014). Três realizações de Jorge Croner de Vasconcellos para a cantiga de Francisco de Sá de Miranda: Comigo me desavim. Portuguese Journal of Musicology, 12, 201–226. Retrieved from https://rpm-ns.pt/index.php/rpm/article/view/116

Issue

Vol. 12 (2002)

Section

Articles (peer-reviewed)