The City and the Country in Villa Lobos’s Music: Musical Topics, Rhetoricity and Narrativity in the Prelude to the Bachianas Brasileiras no.2

Authors

  • Acácio Piedade University of the State of Santa Catarina (UDESC) / Florianópolis, Brazil

DOI:

https://doi.org/10.57885/rpmns.313

Abstract

In this article I examine Heitor Villa-Lobos’s Prelude to Bachianas Brasileiras no. 2 from the perspective of topic theory. I begin by raising some theoretical issues about topic theory and rhetoricity, intertextuality and music narrativity. After a brief historical contextualisation of the work, I present analytical comments on the Prelude’s sections. In the conclusion, I present a cultural interpretation of the analysis, complementing the analysis’ results with the theory of narrativity to offer an interpretation of this piece. 

Author Biography

Acácio Piedade, University of the State of Santa Catarina (UDESC) / Florianópolis, Brazil

acaciopiedade@gmail.com 

Published

2017-10-02

How to Cite

Piedade, A. (2017). The City and the Country in Villa Lobos’s Music: Musical Topics, Rhetoricity and Narrativity in the Prelude to the Bachianas Brasileiras no.2. Portuguese Journal of Musicology, 4(1), 83–100. https://doi.org/10.57885/rpmns.313

Issue

Section

Thematic Dossier (peer-reviewed)