The Leiria Fragments: Vestiges of Fifteenth-Century Northern Polyphony in Portugal

Authors

  • Bernadette Nelson

DOI:

https://doi.org/10.57885/rpmns.214

Abstract

In the Biblioteca Pública e Arquivo Distrital de Leiria are preserved numerous Portuguese documents whose bindings consist of parchment folios from liturgical chant books dating from the mediaeval period through to the 18th century. Among these is an isolated fragment with polyphony containing parts of two three-voice Graduals and a simple setting of Asperges me. The precise origin of the majority of these musical fragments is not entirely certain at present. Judging from the presentation and musical style of the polyphonic fragment, which is analogous with music in the Trent codices, these Graduals are highly suggestive of origin in the compositional circuit of the Burgundian court during the middle decades of the 15th century.

Author Biography

Bernadette Nelson

BERNADETTE NELSON received her doctorate at Oxford University, and is presently Research Fellow at the Universidade de Lisboa (CESEM – FCSH). She has published widely on topics in Portuguese, Spanish and Franco-Flemish vocal and instrumental music, and on the history of musical institutions during the renaissance. One of her special interests concerns the importation and reception of Franco-Flemish music in the Iberian Peninsula during the 15th and 16th centuries.

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Published

2014-12-20

How to Cite

Nelson, B. (2014). The Leiria Fragments: Vestiges of Fifteenth-Century Northern Polyphony in Portugal. Portuguese Journal of Musicology, 79–100. https://doi.org/10.57885/rpmns.214

Issue

Section

Articles (peer-reviewed)