Review: Helen Deeming and Frieda van der Heijden, Medieval Polyphony and Song (Cambridge, Cambridge University Press, 2023), 248 pp., ISBN 978-1-107-15116-1

Autores

  • Mark Everist University of Southampton

DOI:

https://doi.org/10.57885/0045.rpmns.10/1.2023

Resumo

Helen Deeming and Frieda van der Heijden, Medieval Polyphony and Song (Cambridge, Cambridge University Press, 2023), 248 pp., ISBN 978-1-107-15116-1

Biografia Autor

Mark Everist, University of Southampton

Mark Everist’s research focuses on the music of western Europe, 1150-1330, music in nineteenth-century France, Mozart, and critical theory. The author of ten monographs, he has published over 90 articles in peer- reviewed journals and collections of essays. The recipient of the Solie (2010) and Slim (2011) awards of the American Musicological Society, Everist was President of the Royal Musical Association from 2011-2017, and elected a corresponding member of the American Musicological Society in 2014. He was visiting professor at the Sorbonne in 2021-2022 and declined a fellowship from the French Institutes of Advanced Studies for 2024- 2025. In July 2024, Everist was named Chevalier de l’Ordre des Arts et des Lettres by the French Minister of Culture. His monograph for Oxford University Press, Opéra de Salon: Parisian Societies and Spaces, 1850- 1870 is forthcoming, as is his article ‘Resonances from Beyond the Grave: Music and the Occult in Nineteenth- Century Paris’ in the Journal of the American Musicological Society.

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Publicado

2025-06-11

Como Citar

Everist, M. (2025). Review: Helen Deeming and Frieda van der Heijden, Medieval Polyphony and Song (Cambridge, Cambridge University Press, 2023), 248 pp., ISBN 978-1-107-15116-1 . Revista Portuguesa De Musicologia, 10(1), 151–154. https://doi.org/10.57885/0045.rpmns.10/1.2023

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