| Edição | Título | |
| v. 6, n. 1 (2019) | Textual and Chant Traditions of the Kyries tenebrarum in Portugal, and Polyphony around 1500 | Resumo PDF (English) |
| João Pedro d'Alvarenga | ||
| v. 4, n. 1 (2017) | The City and the Country in Villa Lobos’s Music: Musical Topics, Rhetoricity and Narrativity in the Prelude to the Bachianas Brasileiras no.2 | Resumo PDF |
| Acácio Piedade | ||
| v. 6, n. 2 (2019) | The Cuban Bolero in Spanish Jazz | Resumo PDF |
| Christa Bruckner-Haring | ||
| v. 2, n. 2 (2015) | The Curatorial Practices of Exhibiting Popular Music in Portugal at the Beginning of the Twenty-First Century: An Overview | Resumo PDF (English) |
| Alcina Cortez | ||
| v. 6, n. 1 (2019) | The Dating of the Cancioneiro de Paris and a Proposed Timeline for its Compilation | Resumo PDF (English) |
| Nuno de Mendonça Raimundo | ||
| v. 3, n. 1 (2016) | The Labyrinth of the Soul: Wagner’s Musical Lament | Resumo PDF (English) |
| Miguel Ribeiro-Pereira | ||
| v. 4, n. 1 (2017) | The Learned Style in Argentine Music: Topic Simultaneity and Rhetorics of Identity in the Work of Carlos Guastavino | Resumo PDF (English) |
| Melanie Plesch | ||
| v. 14/15 (2004-2005) | The Leiria Fragments: Vestiges of Fifteenth-Century Northern Polyphony in Portugal | Resumo PDF (English) |
| Bernadette Nelson | ||
| v. 5, n. 2 (2018) | The Liturgical Use and Chant Tradition of Évora Cathedral from a Fragment of a Thirteenth-Century Antiphoner | Resumo PDF (English) |
| João Pedro d'Alvarenga | ||
| v. 9 (1999) | The Manuscript Vila Viçosa Alegria A.2. (Joaquim 8): An Eighteenth-Century Compilation in Honor of João IV? | Resumo PDF (English) |
| Michael Ryan | ||
| v. 4, n. 1 (2017) | The Office of the Dead in Portuguese Medieval Uses | Resumo PDF (English) |
| João Pedro d'Alvarenga | ||
| v. 2, n. 1 (2015) | The Oldest Russian Sticheraria from the Triodion: Some Remarks on Their Homogeneity and Diversity | Resumo PDF |
| Svetlana Poliakova | ||
| v. 6, n. 1 (2019) | The Polyphonic Songs Attributed to Pedro de Escobar | Resumo PDF (English) |
| Tess Knighton | ||
| v. 2, n. 1 (2015) | The Verset and Fabordão Genres in The Context of Music Manuscript 242 from the Coimbra University Library | Resumo PDF |
| Filipe Mesquita de Oliveira | ||
| v. 9, n. 1 (2022) | The White Lotus (Soundtrack from the HBO Original Series), Cristobal Tapia de Veer e Kim Neundorf (WaterTower Music, 2021-2022) | Resumo PDF |
| Júlia Durand | ||
| v. 3 (1993) | Thesaurus Absconditus: a Seventeenth Century Organ in the Church of the Instituto Monsenhor Airosa, Braga | Resumo PDF (English) |
| Wesley D. Jordan | ||
| v. 9, n. 2 (2022) | Tópicos nas Cirandas: um olhar para o texto e o contexto das pequenas peças de Heitor Villa-Lobos | Resumo PDF |
| Juliana Wady | ||
| v. 5, n. 1 (2018) | Trasformare la cultura di corte: La regina Maria Anna d’Asburgo e l’introduzione dell’opera italiana in Portogallo | Resumo PDF |
| Giuseppina Raggi | ||
| v. 12 (2002) | Três realizações de Jorge Croner de Vasconcelos para a cantiga de Francisco Sá de Miranda: Comigo me desavim | Resumo PDF |
| Gil Miranda | ||
| v. 8, n. 1 (2021) | Two Early Thirteenth-Century Fragments from Coimbra and Braga | Resumo PDF (English) |
| João Pedro d' Alvarenga | ||
| v. 6, n. 1 (2019) | Two Unnoticed Portuguese Villancicos in a Sixteenth-Century Italian Songbook | Resumo PDF (English) |
| Nuno de Mendonça Raimundo | ||
| v. 1 (1991) | Um enigma desvendado – A identidade do compositor João Pedro de Almeida Mota | Resumo PDF |
| Humberto d’Ávila | ||
| v. 5, n. 1 (2018) | Uma banda sonora para o filme mudo da história: Memórias de um viandante | Resumo PDF |
| Rui Vieira Nery | ||
| v. 3, n. 2 (2016) | Un missel ibérique de la seconde moitié du XIIe ou du début du XIIIe siècle (Salamanque, Biblioteca General Histórica, ms. 2637) | Resumo PDF |
| Océane Boudeau | ||
| v. 7/8 (1997-1998) | Una nuova serenata di Domenico Scarlatti | Resumo PDF |
| Francesco Degrada | ||
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This site is jointly supported and published by the Portuguese Society for Music Research (SPIM), the Institute of Ethnomusicology–Centre for Studies in Music and Dance (INET-MD) and the Centre for the Study of the Sociology and Aesthetics of Music (CESEM). INET-MD and CESEM are both based at the FCSH, Universidade Nova de Lisboa, Portugal, and funded by the FCT-Portuguese Foundation for Science and Technology. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.