| Edição | Título | |
| v. 9, n. 2 (2022) | Paula Gomes-Ribeiro, Júlia Durand, Joana Freitas & Filipe Gaspar (eds.), Música, género, sexualidades: Musical Trouble... After Butler (Famalicão, Húmus, 2021) | Resumo PDF |
| Helena Lopes Braga | ||
| v. 9, n. 2 (2022) | Paulo Borges, Fabrizio Boscaglia e Pedro Vistas (coord.), Orpheu filosófico: A Geração de Orpheu entre artes e filosofia (Lisboa, Edições Universitárias Lusófonas, 2022) | Resumo PDF |
| Ivan Moody | ||
| v. 6, n. 2 (2019) | Performance and Context: A Research in Music Performance Platform | Resumo PDF (English) |
| Ricardo Pinheiro, Carlos Caires | ||
| v. 12 (2002) | Performance Culture in Maputo: Categories of Expressive Modes in the Changing of an African Urban Society | Resumo PDF (English) |
| João Soeiro de Carvalho | ||
| v. 5, n. 2 (2018) | Performing Power in Oratorio at the Court of D. Maria I (1777-1792) | Resumo PDF (English) |
| Danielle M. Kuntz | ||
| v. 2, n. 1 (2015) | Polyphonic Church Music and Sources from Late Sixteenth-Century Évora Cathedral | Resumo PDF |
| João Pedro d'Alvarenga | ||
| v. 7/8 (1997-1998) | Portugal e o mundo. O encontro de culturas na música | Resumo PDF |
| João Soeiro de Carvalho | ||
| v. 9 (1999) | Postmodern Thought and the History of Music: Some lntersections | Resumo PDF (English) |
| Reinhard Strohm | ||
| v. 3, n. 2 (2016) | Problemáticas de transcrição e análise de música indígena a partir de um canto yanomami: Diálogo Yãimu | Resumo PDF |
| Marcelo Villena | ||
| v. 4, n. 1 (2017) | Programming Early Portuguese Repertoires beyond the Pyrenees: The Pioneering Contribution of Macario Santiago Kastner | Resumo PDF (English) |
| Sonia Gonzalo Delgado | ||
| v. 3, n. 2 (2016) | Qual o futuro do património musical contemporâneo nacional? Estado do pensamento e da investigação | Resumo PDF |
| Andreia Nogueira, Isabel Pires, Rita Macedo | ||
| v. 6 (1996) | Que fazer sem um Camões músico? – Fernando Lopes-Graça e o problema da tradição da música portuguesa | Resumo PDF |
| Teresa Cascudo | ||
| v. 9, n. 1 (2022) | Raros exemplares e escassa memória: Um estudo de caso sobre o revivalismo da viola toeira em Coimbra | Resumo PDF |
| Rui Marques | ||
| v. 1 (1991) | Recepción del Ballet d’Action en la Península Ibérica c.1789-1800 | Resumo PDF |
| Xoan M. Carreira | ||
| v. 5, n. 2 (2018) | Reconstruyendo la geografía ibérica del Calixtino: El Liber Sancti Iacobi del monasterio cisterciense de Santa María de Alcobaça (P-Ln Alc. 334/CCCII) | Resumo PDF |
| Santiago Ruiz Torres | ||
| v. 5, n. 2 (2018) | Recorder Use in Spanish Churches and Cathedrals in the Sixteenth and Early Seventeenth Centuries | Resumo PDF (English) |
| Julia Miller | ||
| v. 6, n. 1 (2019) | Re-examining Pedro Fernández de Castilleja Again: Was he a more Important Contemporary of Peñalosa than we Assumed? | Resumo PDF (English) |
| Grayson Wagstaff | ||
| v. 7, n. 1 (2020) | Ressoando além da escravidão: Os «caquinhos» nas ruas, palcos teatrais, periódicos e lundus do Rio de Janeiro Imperial (1826-73) | Resumo PDF |
| Luiz Costa-Lima Neto | ||
| v. 6 (1996) | Resumos | Detalhes PDF |
| root Editor | ||
| v. 9 (1999) | Resumos | Detalhes PDF |
| root Editor | ||
| v. 10 (2000) | Resumos | Detalhes PDF |
| root Editor | ||
| v. 11 (2001) | Resumos | Detalhes PDF |
| root Editor | ||
| v. 12 (2002) | Resumos | Detalhes PDF |
| root Editor | ||
| v. 13 (2003) | Resumos | Detalhes PDF |
| root Editor | ||
| v. 4/5 (1994-1995) | Resumos | Detalhes PDF |
| root Editor | ||
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This site is jointly supported and published by the Portuguese Society for Music Research (SPIM), the Institute of Ethnomusicology–Centre for Studies in Music and Dance (INET-MD) and the Centre for the Study of the Sociology and Aesthetics of Music (CESEM). INET-MD and CESEM are both based at the FCSH, Universidade Nova de Lisboa, Portugal, and funded by the FCT-Portuguese Foundation for Science and Technology. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.