Índice de Títulos


 
Edição Título
 
v. 7/8 (1997-1998) Some Observations on Parody Masses by Magalhães, Cardoso and Garro Resumo   PDF (English)
Owen Rees
 
v. 1, n. 1 (2014) Song and Source in the Cantigas de Santa Maria Resumo   PDF (English)
Alison Campbell
 
v. 6 (1996) Sons de Abril: Estilos musicais e movimentos de intervenção político-cultural na Revolução de 1974 Resumo   PDF
Maria de São José Côrte-Real
 
v. 12 (2002) Subsídios novos para a história dos órgãos da Basílica de Mafra Resumo   PDF
Gerhard Doderer
 
v. 5, n. 1 (2018) Susana Gaspar, Cátia Moreso, Fernando Guimarães, Nuno Vieira de Almeida, Fernando Lopes-Graça: Songs and Folk Songs (CD Naxos, 2018) Resumo   PDF
Helena Marinho
 
v. 3, n. 2 (2016) Susana Moreno Fernández, Salwa E. Castelo-Branco, Pedro Roxo and Iván Iglesias (eds.), Current Issues in Music Research. Copyright, Power and Transnational Music Processes (Lisbon, Edições Colibri, 2012) Resumo   PDF (English)
Victor A. Stoichita
 
v. 6 (1996) Teoria musical e estética no Compendium Musicœ de Descartes Resumo   PDF
Aires Pereira
 
v. 1, n. 1 (2014) Text-Music Mismatches in the Cantigas de Santa Maria Resumo   PDF (English)
Stephen Parkinson
 
v. 6, n. 1 (2019) Textual and Chant Traditions of the Kyries tenebrarum in Portugal, and Polyphony around 1500 Resumo   PDF (English)
João Pedro d'Alvarenga
 
v. 4, n. 1 (2017) The City and the Country in Villa Lobos’s Music: Musical Topics, Rhetoricity and Narrativity in the Prelude to the Bachianas Brasileiras no.2 Resumo   PDF
Acácio Piedade
 
v. 6, n. 2 (2019) The Cuban Bolero in Spanish Jazz Resumo   PDF
Christa Bruckner-Haring
 
v. 2, n. 2 (2015) The Curatorial Practices of Exhibiting Popular Music in Portugal at the Beginning of the Twenty-First Century: An Overview Resumo   PDF (English)
Alcina Cortez
 
v. 6, n. 1 (2019) The Dating of the Cancioneiro de Paris and a Proposed Timeline for its Compilation Resumo   PDF (English)
Nuno de Mendonça Raimundo
 
v. 3, n. 1 (2016) The Labyrinth of the Soul: Wagner’s Musical Lament Resumo   PDF (English)
Miguel Ribeiro-Pereira
 
v. 4, n. 1 (2017) The Learned Style in Argentine Music: Topic Simultaneity and Rhetorics of Identity in the Work of Carlos Guastavino Resumo   PDF (English)
Melanie Plesch
 
v. 14/15 (2004-2005) The Leiria Fragments: Vestiges of Fifteenth-Century Northern Polyphony in Portugal Resumo   PDF (English)
Bernadette Nelson
 
v. 5, n. 2 (2018) The Liturgical Use and Chant Tradition of Évora Cathedral from a Fragment of a Thirteenth-Century Antiphoner Resumo   PDF (English)
João Pedro d'Alvarenga
 
v. 9 (1999) The Manuscript Vila Viçosa Alegria A.2. (Joaquim 8): An Eighteenth-Century Compilation in Honor of João IV? Resumo   PDF (English)
Michael Ryan
 
v. 4, n. 1 (2017) The Office of the Dead in Portuguese Medieval Uses Resumo   PDF (English)
João Pedro d'Alvarenga
 
v. 2, n. 1 (2015) The Oldest Russian Sticheraria from the Triodion: Some Remarks on Their Homogeneity and Diversity Resumo   PDF
Svetlana Poliakova
 
v. 6, n. 1 (2019) The Polyphonic Songs Attributed to Pedro de Escobar Resumo   PDF (English)
Tess Knighton
 
v. 2, n. 1 (2015) The Verset and Fabordão Genres in The Context of Music Manuscript 242 from the Coimbra University Library Resumo   PDF
Filipe Mesquita de Oliveira
 
v. 3 (1993) Thesaurus Absconditus: a Seventeenth Century Organ in the Church of the Instituto Monsenhor Airosa, Braga Resumo   PDF (English)
Wesley D. Jordan
 
v. 5, n. 1 (2018) Trasformare la cultura di corte: La regina Maria Anna d’Asburgo e l’introduzione dell’opera italiana in Portogallo Resumo   PDF
Giuseppina Raggi
 
v. 12 (2002) Três realizações de Jorge Croner de Vasconcelos para a cantiga de Francisco Sá de Miranda: Comigo me desavim Resumo   PDF
Gil Miranda
 
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