Sumário
| Créditos da Imagem de Capa | |
| Créditos da Imagem de Capa PDF |
Editorial
| Nota dos Editores | |
| Editores da RPM | Resumo PDF |
Dossier Temático (revisto por pares)
| Introdução: Recent Research on Iberian Polyphony c.1500: Music, Composers, Sources, and Transmission | 1-4 |
| João Pedro d'Alvarenga, Esperanza Rodríguez-García | Resumo PDF |
| On the Transmission of Iberian Polyphonic Music in the Early Decades of the Sixteenth Century: Some Philological Issues Revisited | 5-28 |
| João Pedro d'Alvarenga | Resumo PDF |
| Re-examining Pedro Fernández de Castilleja Again: Was he a more Important Contemporary of Peñalosa than we Assumed? | 63-90 |
| Grayson Wagstaff | Resumo PDF |
| Textual and Chant Traditions of the Kyries tenebrarum in Portugal, and Polyphony around 1500 | 91-112 |
| João Pedro d'Alvarenga | Resumo PDF |
| From Anchieta to Guerrero: The Salve Regina in Portuguese Sources and an Unknown Early Spanish Alternatim Setting | 113-156 |
| Bernadette Nelson | Resumo PDF |
| Two Unnoticed Portuguese Villancicos in a Sixteenth-Century Italian Songbook | 157-182 |
| Nuno de Mendonça Raimundo | Resumo PDF |
| The Polyphonic Songs Attributed to Pedro de Escobar | 183-210 |
| Tess Knighton | Resumo PDF |
| The Dating of the Cancioneiro de Paris and a Proposed Timeline for its Compilation | 211-232 |
| Nuno de Mendonça Raimundo | Resumo PDF |
Recensões: Livros
| Laura Albiero, Repertorium antiphonarum processionalium (Lugano, Vox antiqua, [2016]) | 233-236 |
| Océane Boudeau | Resumo PDF |
| Juan Pablo Rubio Sadia, La transición al Rito romano en Aragón y Navarra: Fuentes, escenarios, tradiciones (Napoli, Editrice Domenicana Italiana, 2018) | 237-242 |
| Elsa De Luca | Resumo PDF |
Recensões: Gravações
| Ruy Coelho: O violino d’Orpheu, Alexander Stewart, Philippe Marques, Ensemble mpmp (CD mpmp, 2015) | 243-250 |
| Luís M. Santos | Resumo PDF |
This site is jointly supported and published by the Portuguese Society for Music Research (SPIM), the Institute of Ethnomusicology–Centre for Studies in Music and Dance (INET-MD) and the Centre for the Study of the Sociology and Aesthetics of Music (CESEM). INET-MD and CESEM are both based at the FCSH, Universidade Nova de Lisboa, Portugal, and funded by the FCT-Portuguese Foundation for Science and Technology. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.